Serial Herfei 1 – Farsiland

The 15 Best Iranian Movies of All Time Iranian is a rich and diverse cinema that has been in existence since the 1930s amidst oppressive regimes, censorship, and even in the face of exile. The history of film as an art form in Iran dates back to the pioneering days of cinema when the first movie theatre opened in Tehran in 1904. The film was less than ten years old at the time and many Iranians flocked to cinemas to watch these primitive masterpieces. However, it would be another 25 years before Iran would develop its own national cinema, a cinema of morality, humanity, abandonment, and integrity. Starting with the opening of the first film school in 1925, an Iranian national cinema quickly began to develop. Since then, cinema has served as an ambassador for Iran, the heart and soul of a country marred by years of instability.

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Herfei 1 on farsiland (سریال حرفه ای قسمت اول فارسی لند) is the name of one of the new series of the home theater network, directed by Mostafa Taghizadeh and produced by Saeed Khani, produced in 1400 in Iran, which has a social genre. The film Letter of a Herfei Serial written by Mostafa Taghizadeh has been written. Its actors include a combination of film and television actors such as Ali Mostafa, Sirvan Khosravi, Zanyar Khosravi, Sara Bahrami, Mahour Alvand, Elmira Dehghani, and others who have acted in this series. Synopsis: There is a lot of money involved. A perfect plan is needed to remove obstacles and achieve this wealth. A pure and complex plan that requires a professional assassin to execute. He is probably the smartest and most ruthless.

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فارسی لند

1. The House is Black (Forough Farrokhzad, 1963) 2. The Brick and The Mirror [aka Brick and Mirror] (Ebrahim Golestan, 1965) 3. The Cow (Daryush Mehrjui, 1969) 4. Still Life (Sohrab Shahid-Saless, 1974) 5. The Runner (Amir Naderi, 1985) 6. The Cyclist (Mohsen Makhmalbaf, 1987) 7. Close Up (Abbas Kiarostami, 1990) 8. A Moment of Innocence [aka Bread and Flower Pot] (Mohsen Makhmalbaf, 1996) 9. Taste of Cherry (Abbas Kiarostami, 1997) 10. The Apple (Samira Makhmalbaf, 1998) 11. The Color of Paradise (Majid Majidi, 1999) 12. The Day I Became a Woman (Marzieh Meshkini, 2000) 13. Ten (Abbas Kiarostami, 2002) 14. Turtles Can Fly (Bahman Gobadi, 2004) 15. Or the critically acclaimed “Children of Heaven” by Majid Majidi. If you have a taste for deep dives into the cinematic and artistic history of one of the Middle East’s most vibrantly creative atmospheres, you will enjoy this three-part journey.

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